Author: Edmond Lee (Edmond Lee)

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Wharfedale D300 series – D320
Project

Wharfedale D300 series – D320

General Description : 2-way bookshelf speakerEnclosure Type : bass reflexTransducer Complement : 2-wayBass Driver : 5″(130mm), Black woven Kevlar coneFull Range Driver : 1″(25mm) soft domeSensitivity : (2.83v @ 1m) 87dBPeak Power Handling : 25-100WPeak : SPL 95dBNominal Impedance : 8Ω compatibleMinimum Impedance : 3.8ΩFrequency Response : (+/-3dB) 56Hz ~ 20kHzBass Extension : (-6dB) 50HzCrossover...

Wharfedale D300 series – D310
Project

Wharfedale D300 series – D310

General Description : 2-way bookshelf speakerEnclosure Type : bass reflexTransducer Complement : 2-wayBass Driver : 4″(100mm), Black woven Kevlar coneFull Range Driver : 1″(25mm) soft domeSensitivity : (2.83v @ 1m) 86dBPeak Power Handling : 20-60WPeak : SPL 86dBNominal Impedance : 8Ω compatibleMinimum Impedance : 3.6ΩFrequency Response : (+/-3dB) 65Hz ~ 20kHzBass Extension : (-6dB) 60HzCrossover...

Wharfedale D300 series – D300 3D
Project

Wharfedale D300 series – D300 3D

Enclosure Type : Closed-box systemTransducer Complement : 2-wayBass Driver : 4″ (100mm) black woven Kevlar® coneTreble Driver : 1” (25mm) soft domeSensitivity : (2.83V @ 1m) 88dBRecommended Amplifier Power : 20-60WPeak : SPL 98dBNominal Impedance : 4Ω (compatible 8Ω )Minimum Impedance : 3.3ΩAV Shield : NoFrequency Response : (+/-3dB) 100Hz ~ 20kHzBass Extension : (-6dB)...

Wharfedale D300 series – D300C
Project

Wharfedale D300 series – D300C

General Description : 2-way centre speakerEnclosure Type : bass reflexTransducer Complement : 2-wayBass Driver : 5″(130mm), Black woven Kevlar cone x 2Full Range Driver : 1″(25mm) soft domeSensitivity : (2.83v @ 1m) 89dBPeak Power Handling : 25-120WPeak : SPL 95dBNominal Impedance : 8Ω compatibleMinimum Impedance : 3.8ΩFrequency Response : (+/-3dB) 65Hz ~ 20kHzBass Extension :...

Project

Wharfedale – Heritage Series

No loudspeaker manufacturer can claim a richer heritage than Wharfedale. Founded in 1932, the company’s legacy includes the invention of many technologies still commonplace in the speaker designs of today. To the classic Denton and Linton models. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary. To celebrate its...

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Wharfedale – Elysian Series

Wharfedale ELYSIAN is a new flagship loudspeaker series that pushes the boundaries of capability and performance from a speaker at this price-point. A genuine example of luxury audio, ELYSIAN offers indulgence in design, materials aesthetic and performance. A thorough and no compromise approach has lead the Wharfedale engineers to create a benchmark in affordable, audiophile-grade...

Project

Wharfedale – Diamond 12 Series

The new benchmark For many decades, Wharfedale has been famous for fusing even-handed neutrality and transparency with captivating clarity and expression. The Wharfedale DIAMOND 12 embodies that sonic goal. The DIAMOND 12 series represents affordable, authentic hi-fi loudspeakers that truly capture the spirit of music, whatever you play – from rock to classical, jazz to...

Project

Wharfedale – D300 Series

Wharfedale and a team of esteemed specialists have created a range of ‘budget’ speakers that punch far above their weight, elevating expectations of what can be achieved at such lowly price points. And, despite the speakers’ compact size, the soundstage they produce is substantial and engaging, their expressive midrange definition transitioning seamlessly with fluid high-frequency...

Pathos – HiDac MKII
Project

Pathos – HiDac MKII

HiDac Mk2 means music without borders and easy to manage: this way the goal that the Lab Pathos has been established before tackling this new adventure. The answer was ready and clear with the birth of HiDac Mk2, giving many performances at 32 bit and 384 KHz, due to the new ESS 9018 k converter,...

Project

Pathos – InPol Amplifiers

INPOL, amplification starts overThe early theory influencing the whole INPOL project comes out to avoid any kind of general “output-input” back-feedback. It is claimed that, despite a fine developed back-feedback implies important benefits, it is considered always something “artificial”, which influences the sonic outcome and causes a loss of naturalness and “spikiness”. A good project...